A huge part of how I got my back ground findings was from the BBC writers room webpage where they talked a lot abut script writing techniques and what it takes to make a good script.
Developing your idea.
All good ideas need drama. And what is the center of drama that drives your story.
Asks questions like is it compelling enough for your character and audience? Do you have enough story to carry out over several episodes or weeks?
Its crucial to create a coherent world.You need to know the rules of your universe, what do and donts we need to know and see? The writer needs to know all the rules and backgrounds, where as the audience only needs enough to stay hooked without being confused, which is why sometimes less can often be more.
What the emotional response laugh, cry or be scared, need to if this idea is important to you. Put you passion into it as its your story. don't write anything you don't care about just to be expedient. Challenge your audience.
Form & Format
Have really strong scripts and to know exactly what they are and know what it is that ur trying to do. Don't have weak ones that flow on that don't ever really be clear from the start. Great writers master form and manipulate it. So form is what kind and shape of story you are telling to tell. Format is where in a specific broadcast or performance schedule it might sit. Where and how is its most meaning full expression. Is it a idea that works best in radio
Character
To write great characters you need to see through the eyes of them, how they feel and whats its like to be them. If you know this, then you can know how they might instinctively act and react in any given situation. And from this comes your authentic drama and comedy. The best characters are often active, on some kind of journey if thats physical, emotional, psychological or otherwise and are always trying to do get, or reach something. From this comes dilemmas and choices and from that comes dramas and comedy's.
Beginnings
You dont need to know your ending at this moment but it helps. You do however need to know where you are heading towards and what kind of a ending you are trying to reach. Knowing where you are going helps and means you can work out the best, most engaging, captivating and most meaningful place to start.
Starting the story means getting the viewers attention immediately. This means starting the story straight away by showing characters in actions and by showing who the characters who they are and what they do. Dont go to much into back story and dont worry about prefacing the story. You dont have to introduce every character, every theme and every plot right away so dont try to do to much , find a focused way in. Make your character significant in the beginning by making them step outside their comfort zone. have them want something and pursue it. Set them a problem or dilemma or even a call to action like keeping something safe or saving the world.
Most importantly, plan the story before yo start writing. Make sure you know what the beginning, middle and end are. Plan what goes on in them. work out the order in which you want the audience to see and have. But stand back and look at your characters and ask whether they are driving it all forward.
Middles
With many scripts and stories the middle- the stretch that connects the beginning with the end can often be difficult.
the middle takes up more story than the beginning and the end combined and making this work dramatically or comedically takes thought, planing and effort. Once you have worked out where to begin and where you are trying to get to, you have to work out the most appropriately difficult way for your character to to get from one to the other. Your characters need to get lost in the muddle or otherwise the journey forward would be to easy for them. With this however the witter cant get lost. You need to be in control of the muddle. You need to manipulate characters, events, actions and consequences. You need to make things difficult for the characters whiles keeping up the momentum of the story for the audience. You need to plan the muddle carefully.
Remember to surprise the audience. What do they need to see? What can you leave out? What might make them see the story, characters and events better in a new light? Also remember to engage the viewers. Are the character developing and changing interestingly? Dont let the story become boring and flat line. Remember the peaks, dead ends and the moments of clarity, the butterfly effect of actions and consequences. Otherwise the story will sag and so will your audience.
Endings
Great endings fit and bad endings jar. Great endings bring the story where as bad endings go of target or fizzle out and just stop without any real sense of conclusion/ satisfaction. To leave/ have an impact on the viewers must have a great ending. When doing a ending you need to ask if it follows from where you started with the story and the journey thats taken place. The feeling of inevitability should be felt as if they are what should follow on from everything that has gone before. Keep in mind tho that they mustn't be predictable, their needs to be
Scenes
To show significant moments and events a different scenes are needed so that the story can move on forward. Scenes are different combinations of times, places and different settings. No matter what the size or cause scenes needs things to happen or else they not scenes and end up being expositions. What expositions have different than scenes is that nothing happens with in them, by this I mean if stuff is just explained and or related they cant become nothing more than a exposition. For interesting scenes the story has to be kept moving forward at a steady pace in order to viewers happy and interested, if scenes get slow and boring people will get disinterested. A mixture of conflicts and tensions, dilemmas with decisions, actions and reactions are used to help drive back story's for characters.
Dialogue
Dialogue is what characters express and say. Like people dialogue isn't always natural, by this I mean speech doesn't always come out perfectly or in perfect grammar, so when your writing dialogue for characters it doesn't always have to be correctly said. If an actor is actor
Rewriting
So after an idea has been developed with a solid story, characters created, character voices and brought it to life. Its now that you must stand back if you've got to close and go over it again and be hard on your self and change anything that needs to be changed after a re read has been done. When your reading it back to yourself after you have read it alone for some time to get some space re read it as someone else with no connections with it. Honestly ask your self if it works and if there are any issues figure out where the problems are, does the story say what needs to be said. Through out the time of reading it make notes and comments of anything that doesn't seem right or might not make sense.
Conclusion
After reading all this and finding out all the information I feel confident that I can create a solid script. Reading about all the techniques they will help me a lot especially when I am re reading it through and I now know what I can do to help if I get stuck or if something doesn't seem to fit or feels out of place. I can also feel like I can create better characters and plot lines to en rich a more interesting story.
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